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Average of 6 reviews
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An unusual combo of two post-peak Frank albums, but the stereo Indy version is hush and full of life. Only for die-hard Sinatra fans.
An unusual combo of two post-peak Frank albums, but the stereo Indianapolis pressing is clean and full of life. Only for die-hard Sinatra fans, I'd say.
A bit of a peculiar mix of two post-peak Frank albums, but the stereo Indy version is clean and full of life. Only for die-hard Sinatra fans, I'd say.
This album is a bit of a mixed bag, showcasing the popular Carpenters tune "Close To You" and the Muppet classic "Bein' Green." But don't let that fool you, because Sinatra and Jobim work their usual magic on these tracks, along with some Brazilian numbers. Now, let's talk about the real gem of this collection, a song that's criminally underrated. It's my all-time favorite Sinatra recording, and that's saying something for any true Sinatra fan. "Lady Day" was written just for Frank as a heartfelt tribute to his biggest inspiration, Billie Holiday. The lyrics and melody are incredibly tender and moving. It was originally intended for his "Watertown" album, but he knew he had to do it justice with the help of one of his most underrated but brilliant collaborators, Antonio Carlos Jobim, who created this perfect, haunting arrangement. On a personal note, this song reminds me of all the pain that the women in my life have gone through, and it's a heavy, weight-of-the-world kind of feeling that really gets to me. But I'm getting off track...
This album's a bit of a mixed bag, showcasing the then-current Carpenters smash hit, "Close To You," and even a Muppet tune, "Bein' Green." But hey, these tracks, plus some Brazilian numbers, all get that magical Sinatra and Jobim touch. Now, let me tell you about the true gem of this record, a song that's criminally underappreciated. It's my all-time favorite Sinatra track, and that's saying something, trust me. "Lady Day" was penned just for Frank, a heartfelt homage to his biggest muse, Billie Holiday. The lyrics and melody are incredibly moving and tender. It was initially meant for his "Watertown" album, but he knew he had to do it justice with one of his most brilliant yet underrated collaborators, Antonio Carlos Jobim, who crafted this hauntingly perfect arrangement. On a personal note, this song reminds me of all the hardships faced by the women in my life, and it weighs heavy on my heart like nothing else. But I'm digressing...
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